wYRd
A witchy play for hard times…
Three ageless, timeless, deathless sisters in a basement in Bushwick
One of them falls in love
Another falls in hate
The third tries to keep the other two from falling
“wyrd is a potent fable, funny and quirky, full of monstrous magic, and of course a love that is out of this world. Right now, when it is far too easy to despair, wyrd is a spirit-lifting battle-cry, reminding us hope is not a delicate bird; it is something entirely more fit for survival.”
“★★★… wyrd is sometimes charming, often scary, but quite entertaining. Director Robinson moves a lot of action in minimal space—a small studio theater. Tinlin, Manuel, and Flynn are solid performers as the three sisters, as are Prince and Fowler as their foils.”
“…as I got into it and watched the reactions of those around me (they were much younger, for sure) they found the humor contained within and felt the feelings of Snow, who truly was searching for love. ”
Maria Ines Manuel & Blaire Prince (photo by Mollie Menuck)
Layke Fowler (photo by Mollie Menuck)
Snag Flynn, Nealie Tinlin, & Maria Ines Manuel (photo by Mollie Menuck)
Layke Fowler & Snag Flynn (photo by Mollie Menuck)
Maria Ines Manuel & Blaire Prince (photo by Mollie Menuck)
Nealie Tinlin (photo by Mollie Menuck)
Maria Ines Manuel & Blaire Prince (photo by Mollie Menuck)
Snag Flynn (photo by Mollie Menuck)
When I first read wyrd in 2022, I was struck by how perfectly Matt had already captured a moment in time that seemed too recent to be nostalgic for: the “Pre-Covid Years.” Published in 2018, the play, informed by Trump’s first term and the frighteningly rapid onset of hardcore MAGA ideology, was still clearly written in the before-times. In the wake of Covid and the thousands of deaths that could have been prevented by an administration who instead preferred to fund murderous police departments rather than hospitals, wyrd was one of the first works I had read that made me genuinely wonder, “Could there have possibly been a reason for this? Could it have been worth it for what comes after?”
Now, even more than at the ultimate height of Covid, it feels easier than ever to despair. wyrd showed me plainly that ultimate despair can’t exist without our consent. Choosing to build a better world from the rubble is possible, even when it’s much harder than lying down in the ashes.
DIRECTOR’S NOTE
CAST & CREATIVE
*- DENOTES A LAZY SUSAN THEATRE CO. COMPANY MEMBER
Snag Flynn
”Red”
Layke Fowler
”Stuart”
Maria Ines Manuel
”Snow”
Blaire Prince
”Jan”
Nealie Tinlin*
”Iras”
Sonya Robinson
Director
Matt Minncinio
Playwright
Madeline Meyer
Fight & Intimacy Director
Amina Gilbert*
Lighting Designer
Celine Berger
Asst. Lighting Designer
Hannah Loessberg*
Prop Designer
Alex McCaskey
Asst. Stage Manager
Jon Yawn*
Stage Manager & Technical Director
Pierce Julian Howard*
Sound Designer
Elly Burke*
Scenic & Costume Designer