DRACULA:
A COMEDY OF TERRORS
In the treacherous mountains of Transylvania, a meek English real estate agent takes a harrowing journey to meet a new and mysterious client, who also just happens to be the most terrifying and ferocious monster the world has ever known: Count Dracula! As famed female vampire hunter Jean Van Helsing and company chase Drac from Transylvania to the British countryside to London and back, their antics are guaranteed to increase your pulse and cause bloodcurdling screams—of laughter.
Dracula: A Comedy of Terrors enjoyed a sold-out run in 2026 and was Lazy Susan Theatre Co.’s first Jeff Recommended production.
A bloody hilarious night at the theatre…
“Perhaps most importantly, while the book contemplated what if evil was seductive and crossed oceans, this play dares to ask “what if evil just wants its cake platter back?”
“The young company’s commitment and fearless embrace of over-the-top humor make the experience all the more infectious. It is an evening of high entertainment, placing Lazy Susan Theatre Co. in a well-deserved spotlight and giving audiences plenty to anticipate from the organization’s future work.”
“Conner Paulson brings considerable talent to his role as Dracula. He sways. He thrusts. He moves in a dance-like way that exudes his sexual power. He can do things with his eye balls you never thought possible.”
“The cast is fantastic, clearly enjoying both the show and each other, and fully committed to every absurdist moment. There were several times when I marveled at the cartoon-like body and facial movements of the cast members, who kept taking it up a notch as the audience responded with hysterics.”
Cris King, Valerie Martire, Laura Michele Erle, Jacob Gage (photo by Mollie Menuck)
Connor Paulsen (photo by Mollie Menuck)
Tiny town created by Pierce Howard (photo by Mollie Menuck)
Laura Michele Erle & Connor Paulsen (photo by Mollie Menuck)
Jacob Gage & Valarie Martire (photo by Mollie Menuck)
Laura Michele Erle & Valarie Martire (photo by Mollie Menuck)
Jacob Gage (photo by Mollie Menuck)
Valarie Martire (photo by Mollie Menuck)
When I first read wyrd in 2022, I was struck by how perfectly Matt had already captured a moment in time that seemed too recent to be nostalgic for: the “Pre-Covid Years.” Published in 2018, the play, informed by Trump’s first term and the frighteningly rapid onset of hardcore MAGA ideology, was still clearly written in the before-times. In the wake of Covid and the thousands of deaths that could have been prevented by an administration who instead preferred to fund murderous police departments rather than hospitals, wyrd was one of the first works I had read that made me genuinely wonder, “Could there have possibly been a reason for this? Could it have been worth it for what comes after?”
Now, even more than at the ultimate height of Covid, it feels easier than ever to despair. wyrd showed me plainly that ultimate despair can’t exist without our consent. Choosing to build a better world from the rubble is possible, even when it’s much harder than lying down in the ashes.
DIRECTOR’S NOTE
CAST & CREATIVE
*- DENOTES A LAZY SUSAN THEATRE CO. COMPANY MEMBER
Jacob Gage
Jonathan Harker & others
Cris King
Dr. Westfeldt & others
Valerie Martire
Lucy Westfeldt & others
Laura Michele Erle
Mina Westfeldt & others
Conner Paulson
Count Dracula
Markos Carmona
Jonathan & Lucy u/s
Hayley Brenner
Mina & Dr. Westfeldt u/s
Hannah Loessberg*
Count Dracula u/s
Steve Rosen
Playwright
Bram Stoker
Source Material
Greta Geiser
Combat & Intimacy Director
Nealie Tinlin*
Asst. Director
Lola Fratto
Dialect Coach
Amina Gilbert*
Lighting Designer
Celine Berger
Asst. Lighting Designer
Jon Yawn*
Scenic Designer
Michael Van Bodegom Smith*
Composer
Brayden Gibson
Sound Designer
Holly Osborn
Costume Designer
Jacob Sousley
Stage Manager
Emily Stipetic
Asst. Stage Manager
Phoebe Westbrooks
Asst. Stage Manager
Maeve Carroll
Production Intern
Gordon Greenberg
Playwright
Matthew Masino*
Director
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