DRACULA:   

      A COMEDY OF TERRORS      

In the treacherous mountains of Transylvania, a meek English real estate agent takes a harrowing journey to meet a new and mysterious client, who also just happens to be the most terrifying and ferocious monster the world has ever known: Count Dracula! As famed female vampire hunter Jean Van Helsing and company chase Drac from Transylvania to the British countryside to London and back, their antics are guaranteed to increase your pulse and cause bloodcurdling screams—of laughter.

Dracula: A Comedy of Terrors enjoyed a sold-out run in 2026 and was Lazy Susan Theatre Co.’s first Jeff Recommended production.

A bloody hilarious night at the theatre…

“Perhaps most importantly, while the book contemplated what if evil was seductive and crossed oceans, this play dares to ask “what if evil just wants its cake platter back?”

MISHA DAVENPORT, BROADWAY WORLD

“The young company’s commitment and fearless embrace of over-the-top humor make the experience all the more infectious. It is an evening of high entertainment, placing Lazy Susan Theatre Co. in a well-deserved spotlight and giving audiences plenty to anticipate from the organization’s future work.”

EMILY WERNER, WERNER’S THEATRE REVIEW

“Conner Paulson brings considerable talent to his role as Dracula. He sways. He thrusts. He moves in a dance-like way that exudes his sexual power. He can do things with his eye balls you never thought possible.”

MARK REINECKE, AROUND THE TOWN CHICAGO

“The cast is fantastic, clearly enjoying both the show and each other, and fully committed to every absurdist moment. There were several times when I marveled at the cartoon-like body and facial movements of the cast members, who kept taking it up a notch as the audience responded with hysterics.”

ALLI DOUBEK, ENTERTAINING CHICAGO

When I first read wyrd in 2022, I was struck by how perfectly Matt had already captured a moment in time that seemed too recent to be nostalgic for: the “Pre-Covid Years.” Published in 2018, the play, informed by Trump’s first term and the frighteningly rapid onset of hardcore MAGA ideology, was still clearly written in the before-times. In the wake of Covid and the thousands of deaths that could have been prevented by an administration who instead preferred to fund murderous police departments rather than hospitals, wyrd was one of the first works I had read that made me genuinely wonder, “Could there have possibly been a reason for this? Could it have been worth it for what comes after?”

Now, even more than at the ultimate height of Covid, it feels easier than ever to despair. wyrd showed me plainly that ultimate despair can’t exist without our consent. Choosing to build a better world from the rubble is possible, even when it’s much harder than lying down in the ashes.

DIRECTOR’S NOTE

CAST & CREATIVE

*- DENOTES A LAZY SUSAN THEATRE CO. COMPANY MEMBER

Jacob Gage
Jonathan Harker & others

Cris King
Dr. Westfeldt & others

Valerie Martire
Lucy Westfeldt & others

Laura Michele Erle
Mina Westfeldt & others

Conner Paulson
Count Dracula

Markos Carmona
Jonathan & Lucy u/s

Hayley Brenner
Mina & Dr. Westfeldt u/s

Hannah Loessberg*
Count Dracula u/s

Steve Rosen
Playwright

Bram Stoker
Source Material

Greta Geiser
Combat & Intimacy Director

Nealie Tinlin*
Asst. Director

Lola Fratto
Dialect Coach

Amina Gilbert*
Lighting Designer

Celine Berger
Asst. Lighting Designer

Jon Yawn*
Scenic Designer

Michael Van Bodegom Smith*
Composer

Brayden Gibson
Sound Designer

Holly Osborn
Costume Designer

Jacob Sousley
Stage Manager

Emily Stipetic
Asst. Stage Manager

Phoebe Westbrooks
Asst. Stage Manager

Maeve Carroll
Production Intern

Gordon Greenberg
Playwright

Matthew Masino*
Director

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